The film’s downbeat conclusion suggests that they, and Europe as a whole, may be fighting a losing battle. ![]() Only a handful of enlightened folk, led by the courageous Csilla, stand firm in the face of threats and intimidation against their visitors – at one point, they’re all holed up at the Sri Lankan men’s house with masked intruders outside – as all that prejudice spills viciously out. works best when it morphs into something akin to a western. (There’s an impactful subplot involving Mattias, hardly a poster child for enlightened fatherhood, and his estranged wife in a tug-of-war over how to parent Rudi.)īut with its gutsy performances, especially from the terrific Slate, and one mighty scene involving a climactic town hall meeting that somehow juggles 26 different speaking characters in a single 17-minute take, R.M.N. takes a while to find them, its complex web of human relationships is compelling in itself. It’s the things that are hidden that matter here, and while inevitably R.M.N. One climactic scene somehow juggles 26 different speaking characters in a single 17-minute take The town slowly turns, with the local priest as a mediator who comes depressingly close to doubling up as a cheerleader for the angry mob. And the wider cancer here takes root when Csilla and the bakery’s owner hire three diligent, polite Sri Lankan men to fill the gap in their workforce. stands for ‘Rezonanta Magnetica Nucleara’, a medical scan that detects malignancies in the brain like the one attacking Matthias’s dad’s cerebral function. Sure enough, via long, unblinking takes and with a steady camera that occasionally switches to jerky handheld, Mungiu slowly reveals what’s really on his mind: a substrata of xenophobia, nationalism and racism that lies beneath it all. The town’s ever-barking dogs seem to detect something darker lying in wait. It’s Christmas and it should be a moment of celebration.Įven the unexpected return of Csilla’s sometime bedfellow, the gruff, volatile Matthias (Marin Grigore), from a job in a German abattoir, and the spectre of whatever it is in the local forests that has spooked Matthias’s young son, Rudi (Mark Blenyesi), into muteness, can’t quite break the equilibrium. In her spare time, she plays cello, prepping for the town’s festive concert. The setting, a small Translyvanian town nestled in the Carpathians, is a seemingly straightforward, mutually supportive community, despite its historically combustible mix of Romanians, Hungarians and German-speakers. A local bakery, managed by a bright, ambitious Hungarian woman called Csilla (Judith State), is expanding and urgently hiring new staff, albeit at lower pay than the locals are prepared to accept. It’s a dense, ominous and fiercely socially-conscious jab at xenophobia and nationalism in his homeland – and far beyond. ![]() But his story with the Grand Palais is not new: between 20, he photographed the restoration of the glass roof of the Nave and the consolidation of its foundations.Ĭreate an account or log in to read more and see all pictures.Romania’s Cristian Mungiu is not a prolific director – he’s made only three films since his devastating, Palme d’Or-winning abortion drama 4 Months, 3 Weeks and 2 Days in 2007 – and you can feel the weight of heavy contemplation in R.M.N. ![]() With meticulousness and regularity, he has been capturing the metamorphosis of the spaces of the Grand Palais for more than a year, documenting the discoveries and progress of the construction site. In 1991, he co-founded Tendance Floue, a collective of sixteen French photographers awarded internationally for their achievements at the crossroads of social, documentary, cultural and artistic. Since the 1990s, he has been interested in urban space and the common places associated with it – from architectural manifestations of history to the transformation of heritage and landscapes. Patrick Tourneboeuf is a photographer he lives and works in Paris. Patrick Tourneboeuf is one of the artists invited to observe behind the scenes of this extraordinary project, alongside the writer Maylis de Kerangal, the photographer Marguerite Bornhauser and the illustrator Nayel Zeaiter. Use RetailMeNots website, mobile app or Deal Finder to find the best coupons, promo codes, & cash back offers to save on retail, travel, food. This will last until the Paris 2024 Olympic and Paralympic Games for the Nave and the galleries surrounding it, and until spring 2025 for the rest of the monument. In March 2021, the Grand Palais closed its doors to begin an important phase of work.
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